ProductWiki

Shure 55SH Series II

Wed, 27 Jan 2010 14:39:29 -0500

The Shure 55SH Series II is the grandchild of the original Shure 55 microphone that Elvis made popular back in the 50's and 60's. The original version of this vocal mic was large enough to have been dubbed 'the bird cage' and had problems with noise leaking in from the back, although it's classy look and vocal pickup have kept it in demand ever since. The 55SH Series II version maintains the same look although smaller, and has a unidirectional cardioid pattern which means it only picks up what is in front of it and not sounds coming from the back. This is helpful in performance situations where the singer might be close to a loudspeaker or instrument. An on/off switch has also been added as well as a self-tensioning thread swivel mount.

Features

Classic appearance, modern performance
Frequency response tailored for speech, vocals and instrumental music
Cardioid directional pattern for optimum performance in adverse acoustic environments
Shock-mounted cartridge minimizes stand-transmitted noise, ensures quiet operation
Rugged die cast casing for reliability under rigorous conditions
Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward

Shure Beta 56A

Tue, 26 Jan 2010 13:36:00 -0500

The Shure Beta 56A is a compact supercardioid drum and instrument microphone with high frequency response and gain-before-feedback ratio. The uniform supercardioid pattern also provides noise rejection from unwanted ambient and outside noises. It is typically used for close miking of toms and percussion instruments, brass, woodwinds and guitar amps. The dynamic locking stand has an XLR connection, making set up fast and easy and is designed to stay in position amidst the bumps and vibration of live performance. Hardened steel mesh grille protects against accidental drum stick hits and the rigors of touring. This can be used in conjunction with the Shure Beta 52A kick drum microphone.

Features

Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
Compact design reduces stage clutter
Hardened steel mesh grille resists wear and abuse
Neodymium magnet for high signal–to–noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Legendary Shure quality and reliability

Shure 565SD

Fri, 29 Jan 2010 12:45:49 -0500

The Shure 565SD is a dual impedance, unidirectional dynamic vocal microphone and the predecessor to the popular Shure SM58. This Classic Unisphere design mic was made famous for it's use on the Woodstock stage. The durable wire mesh grille and wind and pop filter have made it a successful live vocal mic owing to it's ruggedness and tour worthy durability. Although shipped connected for low-impedance operation, it is user switchable to dual impedance as well which increases the output level. This makes it compatible with a broader range of mic preamps which are usually suited for either high or low output microphones. For example, a vintage tube mic preamp would require a higher signal coming into it in order to be effective. Usually this is used as a vocal mic but may also be used in lectures and public speaking as well.

Features

Versatile, high-quality microphone with sound characteristics similar to the SM58
Selectable dual-impedance operation
Silent magnetic reed on/off switch with lock-on option
Cardioid dynamic
Frequency response: 50 to 15,000 Hz
Swivel adapter with 90 degrees vertical/horizontal motion

Shure Super 55 Deluxe Vocal Microphone

Thu, 28 Jan 2010 16:58:52 -0500

The Shure Super 55 Deluxe Vocal Microphone is an updated Supercardioid version of the Shure Unidyne 55 which debuted in 1939 and was to become the mic that Elvis and others made so popular. A later revision was released in 1951 called the 55S. This version has been built for both live and studio use, keeping the original chrome plated design and adding blue satin foam highlights. The frequency response is tailored for speech and vocals with high gain-before-feedback and off angle noise rejection. Unlike the 55SH Series II microphone which is geared more for live use, there is no on/off switch, which is less necessary in professional situations anyway. It also has +/-5dB more sensitivity and greater low end response whereas the 55SH has more high frequency response. Both have the classic Unidyne design and frequency shaping for vocals like the original model as well as the same chrome chassis. They are some of the most famous 'looking' microphones of all time, always offering a classy presence on stage.

Features

Supercardioid Polar Pattern
Iconic chrome-plated design with vibrant blue color additions
Tailored frequency response for natural vocals and speech
High gain-before-feedback and excellent off-axis rejection
Shock-mounted cartridge minimizes handling noise and ensures quiet operation
Rugged die cast casing for reliability under rigorous conditions
Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward

Blue Microphones Yeti Pro

Thu, 06 Jan 2011 18:32:01 -0500

The Blue Microphones Yeti Pro is a professional-grade microphone for recording, and supports both standard XLR connections to higher end audio equipment and a USB connection. 3 separate 14mm condenser capsules are used to capture audio, and can be switched between 4 polar patterns to control how audio is recorded. Gain and volume knobs are both available, and a mute button is built in. When connected through USB, 24-bit sampling can be done with at a 192 kHz rate. All output is zero-latency, and runs through an internal amplifier for reduced interference. The base is built to be stable and resist wobble, and a mount is built in for a threaded mic stand mount.

Features

Tri-Capsule array, 3 premium 14mm condenser capsules
Mic gain control
4 Polar pattern selector: stereo, cardioid, omni, bidirectional
Mute Button
Master Volume
Stereo XLR connector
SUB Output up to 192kHz sampling, 24-bit rate
Standard threaded mic stand mount
Zero-latency headphone output with amplifier and volume control
Custom base with cable management
USB cable and stereo XLR breakout cables included

Shure 545SD

Fri, 29 Jan 2010 12:24:36 -0500

The Shure 545SD is a dual impedance, unidirectional dynamic instrument microphone and the predecessor to the legendary Shure SM57. Based on the same classic Unidyne design, this mic also has a silent magnetic reed on/off switch with a lock option. Typically used as an instrument pickup, it can also be used in public address systems and/or lectures. The uniform cardioid structure also shields against feedback and unwanted noise. It comes shipped connected for low-impedance operation but is user selectable to run also with dual impedance. This means there are two options as to how loud the output signal will be, which, depending on the preamp used can make a difference in tonal quality and overall output level.

Features

Exceptionally uniform cardioid pattern minimizes feedback
Selectable dual-impedance operation
Silent magnetic reed on/off switch with lock option
Cardioid dynamic
Frequency response: 50 to 15,000 Hz
Swivel adapter with 90 degrees vertical/horizontal motion

Blue Mikey for Flip

Thu, 23 Sep 2010 18:20:14 -0400

The Blue Mikey for Flip is an external condenser microphone designed for all FlipPort-enabled Flip video cameras, particularly the Flip Ultra HD. It’s designed to enhance the sound of Flip video recordings by providing stereo, CD-quality audio capture. Featured is a mic-in port for plugging in an additional corded interview, handheld, or lavalier microphone; an integrated tripod mount; and an automatic sensitivity switch with a ‘Loud’ setting for recording any volume clearly. Unfortunately the Blue Mikey relies on conventional AAA batteries, versus an integrated rechargeable Li-Ion one. Regardless, the device records at 44.1 kHz, 16-bit stereo. Additional features include plug/play compatibility, and auto power-on.

Features

Flip Ultra HD Accessory
External Condenser Microphone
CD-Quality Stereo Audio
Automatic Sensitivity
Microphone Port
Built-In Tripod Mount
Soft Cloth Carrying Pouch
AAA Battery

IK iRig Mic

Tue, 18 Jan 2011 19:10:26 -0500

The IK iRig Mic is a microphone designed for use with portable devices, and comes with a custom app designed specifically for recording to an iPad, iPod or iPhone. The microphone pickup itself is a Condenser design with a unidirectional capsule aimed specifically at vocalists and musicians. The dual mini-jack connector plugs directly into a standard 3.5 mm input port, and has an output port built in to allow for real-time monitoring of the recorded signal with a pair of headphones, a mixer or a PA. The micorphone is constructed with a rugged and durable metal housing sized and shaped for standard mic stands. Apps included are customized for different applications that signers and musicians might need, and the microphone can be freely used with other apps as well.

Features

Condenser-electret unidirectional capsule
Dual mini-jack connector
Real-time monitoring
Rugged, durable metal housing
Easy to set-up for any sound source
Can be handheld or placed on a standard mic stand
Comes with apps for singers and songwriters
Can be used with other apps

Shure Beta 52A

Tue, 26 Jan 2010 12:00:23 -0500

The Shure Beta 52A is a high output dynamic microphone specially designed for kick drums and other bass instruments. A modified supercardioid pattern ensures the highest possible gain-before-feedback ratio as well as rejection of ambient or unwanted sound, while the tailored frequency response gives it extra punch with strong attack even at high SPL levels. If the microphone is to be placed inside a kick drum, a built in dynamic locking stand adapter with XLR connection makes for easy installation. The stand adapter keeps the microphone position fixed and resists slipping, even standing up to sharp blows and strong vibrations that might occur in a live performance. The Beta 52A also comes with a hardened steel mesh grille for maximum protection and endurance.

Features

Frequency response shaped specifically for kick drums and bass instruments
Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal–to–noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability

Shure SM57

Thu, 02 Nov 2006 17:09:10 -0400

The Shure SM57 is legendary among audio recording professionals as being a workhorse able to handle any recording task thrown its way. Able to record vocals, drums, guitar, guitar amps, and woodwinds making the SM57 a very versatile mic for the amateur and professional alike. Equipped with an XLR plug and no phantom power required. If you are on a budget and are only going to get one microphone, you should get this one.

Added from www.shure.com

Blue Microphones Yeti

Wed, 17 Feb 2010 12:12:29 -0500

The Blue Microphones Yeti is a THX-certified USB microphone designed for noticeably improved depth and detail versus conventional USB microphones. It offers zero-latency headphone monitoring, headphone volume controls, and a mute button. Signature to the Yeti is a multipattern selector switch with four recording modes, including omnidirectional and cardoid. And unlike the Snowball, the Yeti utilizes a three-capsule design, allowing it to also offer a stereo mode, and a bi-directional mode that pulls sound from in front or behind the microphone. Included also is a standard microphone mount.

Features

THX Certified
Multi-Pattern USB Microphone
Three Microphone Capsules
Omnidirectional Mode
Cardoid Mode
Stereo Mode
Bi-Directional Mode
Mount (Included)

Specifications

Power Required/Consumption: 5V 150mA
Sample Rate: 48 kHz
Bit Rate: 16bit
Capsules: 3 Blue-proprietary 14mm condenser capsules
Polar Patterns: Cardioid, Bidirectional, Omnidirectional, Stereo
Frequency Response: 20Hz ? 20kHz
Sensitivity: 4.5mV/Pa (1 kHz)
Max SPL: 120dB (THD: 0.5% 1kHz)
Impedance:16 ohms
Power Output (RMS): 130 mW
THD: 0.009%
Frequency Response: 15 Hz ? 22 kHz
Signal to Noise: 100dB

System Requirements

PC: Windows 7, Windows Vista, XP Home Edition or XP Professional
USB 1.1/2.0; 64 MB RAM (minimum)
Macintosh: Mac OSX ( 10.4.11 or higher )
USB 1.1/2.0
64 MB RAM (minimum)

RØDE NT1-A

Thu, 02 Nov 2006 16:55:04 -0400

The Rode NT 1A is a cardioid, large diaphragm, side address condenser microphone intended for general instrument and vocal recording. The NT 1A features a 1 inch large diaphragm with gold-plated membrane resulting in wide frequency response and exceptional signal to noise ratio. The cardioid polar pattern provides attenuation at the off-axis sections of the capsule, minimizing noise caused by room ambiance, instruments, monitors, headphones etc. Balanced, transformer-less output circuitry results in quiet, low-noise signal reproduction at high output levels. The NT 1A is powered via +48 Volt phantom power and features a wide frequency response of 20Hz to 20kHz.

Added from www.rodemic.com

Sennheiser e 965

Wed, 14 Jul 2010 19:23:57 -0400

The Sennheiser e 965 is a professional-grade, switchable cardioid/super-cardioid vocal stage microphone. As an upgrade from the cardioid e 935 and super-cardiod e 945, the Sennheiser e 965 uses large-diaphragm technology with multiple diaphragm elements to allow the user to switch between polar pattern. When the rear element is given the same polarity as the front element, the result is cardioid. But when the rear is offered an opposite polarity, the result is super-cardioid. Featured also is moisture-resistant coating, a shock-mounted capsule that suppresses handling noise, and an included microphone clamp.

Features

Metal Construction
Shock-Mounted Capsule
Switchable Pick-Up Pattern
Low-Cut Switch
Integral Pop and Windshield
Moisture-Resistant
Noise-Handling Suppression
Protective Pouch
Microphone Clip

Specifications

Frequency: 40-20,000Hz
Terminating Impedance: 1000Ohms
Impedance: 50Ohms
Pick-Up Pattern: Carioid/Super-Cardioid (Switchable)

Shure SM86

Mon, 04 Jan 2010 20:41:45 -0500

The SM86 is a unidirectional condenser microphone from Shure that is designed for vocal applications. The microphone has a cardioid polar pattern which isolates the source and blocks out background noise. It offers a tailored frequency response of 50 to 18,000 Hz making it recommended for professional use in live performances. The SM86 includes a built-in three-point shock mount and a two-stage "pop" filter that reduces breath, wind, and handling noise. The microphone comes with a stand adapter and storage bag and has a 2 year limited warranty.

Features/Specs

Condenser cartridge
Tailored frequency response
Rugged construction
Cardioid polar pattern
Built-in three-point shock mount
Two-stage "pop" filter
Frequency Response: 50 to 18,000 Hz
Comes with stand adapter and carrying/storage bag
2 year limited warranty

Shure PG52

Sun, 03 Jan 2010 09:53:55 -0500

Another release by the microphone company, the Shure PG52 is a Cardoid Dynamic Kick Drum microphone suitable to be used as a kick mic or a bass cab mic. The frequency is tailored to create a smooth effect and is specifically tuned for drum applications. Similar to other Shure microphones, the Cardioid polar pattern picks up most sound from in front of the microphone and a bit from the sides. Since drummers need it, the rugged coil of the microphone is designed to handle high volume levels and the cartridge includes a neodymium magnet for a high output level. The PG52 microphone is also packaged with a 15ft cable and a storage bag.

Features

Tailored frequency is smooth and tuned for specifically for drum applications
Cardioid polar pattern picks up most sound from in front of the microphone
Rugged coil and ability to handle high volume levels
Cartridge includes a neodymium magnet for high output level
Internal shock mount for reduced handling noise
Integral stand mount
Durable metal construction

Shure PG56

Sun, 03 Jan 2010 10:03:15 -0500

The Shure PG56 is a compact drum microphone designed for close miking. Perfect for drummers looking for a great sound and quality, the Cardioid polar pattern picks up the most sound from in front of the microphone and some from the sides. With a tailored frequency response that's smooth and suitable for most drum applications, the microphone also has a cartridge that's durable to handle extreme volume levels and can create a high output level. The PG56 also has an internal shock mount for reduced handling noise and comes equipped with a 15ft cable and a storage bag.

Features

Frequency response tailored to be smooth and suitable for drum applications
Cardioid polar pattern picks up the most sound from in front of the microphone
Dynamic cartridge has a durable coil to handle extreme volume levels
Cartridge includes a neodymium magnet for high output level
Internal shock mount for reduced handling noise
Durable mount construction

Shure PG48

Sun, 03 Jan 2010 09:43:20 -0500

The Shure PG48 is a high quality microphone suitable for spoken word applications and even karaoke programs. Like most Shure microphones and equipment, the product is affordable and application-specific making it perfect for everyday-use. The frequency response has been tailored to create a smooth feeling and is tuned to be used with vocal applications. Unlike other microphones, the PG48 picks up most sound from in front of the microphone and some sound from the sides. It has a durable metal construction and it's rugged coil helps the microphone handle high volume levels without any distortion.

Features

Tailored frequency response that's smooth and tuned for vocal applications
Cardioid polar pattern picks up most sound from in front of the microphone
Simple, rugged coil that can handle extreme volume levels without distortion
Durable metal construction
On/off switch for on-stage control

Sennheiser e 935

Wed, 14 Jul 2010 19:21:40 -0400

The Sennheiser e 935 is a professional-grade, cardioid vocal stage microphone engineered to perform well under pressure, while still delivering high-quality output. As a precursor to the super-cardioid e 945, the Sennheiser e 935 is characterized by a strong sensitivity to audio from the front of the microphone, midrange sensitivity on the sides, and quality rejection of audio emanating from the rear. It’s especially geared for multi-miking situations in which the user is trying to avoid capturing large amounts of room ambience. Featured on the Sennheiser e 935 and its peers is a rugged & reliable metal construction, a shock-mounted capsule for low-sensitivity to impact/handling noise, and a Neodymium ferrous magnet with boron—that keeps the unit stable regardless of climate.

Features

Metal Construction
Shock-Mounted Capsule
Cardioid Pickup Pattern
Insulation from other Signals
Hum Compensating Coil
Reduced Electrical Interference
Neodymium Ferrous Magnet w/Boron
Falcon Ring (Consist Sound)
Protective Pouch
Microphone Clip

Specifications

Frequency: 40-18,000Hz
Terminating Impedance: 1000Ohms
Impedance: 350Ohms
Pick-Up Pattern: Cardioid

Shure PG57

Sun, 03 Jan 2010 10:12:20 -0500

The Shure PG57 is another release by the microphone company and is geared for use with amplified or acoustic instruments. Like similar Shure products, the PG57 has a tailored frequency response that's smooth and finely tuned for almost all vocal applications. The Cardioid polar patten picks up most sound from in front of the microphone instead of from the sides and it's durable coil and metal construction can handle extreme volume levels without any type of distortion. For vocalists, it also has an on/off switch for stage control and comes equipped with a 15 foot cable, break-resistant mic clip and a storage bag for transportation.

Features

Tailored frequency response that's smooth and tuned for vocal applications
Cardioid polar pattern picks up most sound from in front of the microphone
Simple, rugged coil that can handle extreme volume levels without distortion
Durable metal construction
On/off switch for on-stage control

Sennheiser e 840

Wed, 14 Jul 2010 21:36:06 -0400

The Sennheiser e 840 is a dynamic vocal microphone designed to cut through on-stage noise. This is similar to the Sennheiser e 838, but has a slightly wider frequency response from 40 Hz to 18 Khz, allowing for a wider range of male and female voices to be picked up properly. The cardioid pickup pattern filters out ambient noises from off too the side, regardless of the frequency. The rugged metal construction with shock-mount capsule makes the microphone insensitive to handling noise, and a hum compensating coil cuts electromagnetic interference.

Features

Rugged metal housing
Shock-mount capsule
Frequency-independent directivity
Highly insensitive to feedback
Excellent vocal projection
Hum compensating coil
Microphone clip, Warranty card, Operating instructions, Protective pouch included
Dimensions: 1.9 x 7.1 in. (47 x 181 mm)
Frequency response (microphone): 40 - 18,000 Hz
Weight: 11.6 oz (330 g)

Shure Beta 57A

Mon, 04 Jan 2010 12:46:57 -0500

The Shure Beta 57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. The Beta 57 series are a step up from the hugely popular SM57 series and are typically used to mic instruments as well as vocals; while the 58 series are used mainly for vocals. Some common applications include drums(snares, hats also), guitars, horns and woodwinds, either live or in the studio. The inside contains a Neodymium magnet for high signal–to–noise ratio output and it is encased in a hardened steel mesh grille that facilitates use of proximity effect. An advanced shockmount is included for minimizing noise and vibration.

Features

Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
Neodymium magnet for high signal–to–noise ratio output
Minimally affected by varying load impedance
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Legendary Shure quality and reliability

Shure PG81

Sun, 03 Jan 2010 10:21:25 -0500

The Shure PG81 is a condenser microphone ideal for lighter, acoustic instruments. Different than most Shure microphones, the PG81 has a flat frequency that's wide and uniform and produces consistent sensitivity through frequency range. Its cardioid pattern that rejects noise and controls feedback is ideal for acoustic guitars, pianos, strings and woodwinds. The PG81 also has a durable metal construction, an internal shockmount, an on/off switch for on-stage control and its probe style allows close miking.

Features

Flat frequency is wide and uniform and produces consistent sensitivity through frequency range
Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides
Condenser cartridge has a lightweight, sensitive diaphragm and smoothly captures sound nuances.
Durable metal construction
On/off switch for on-stage control

Sennheiser MD 431 II

Wed, 14 Jul 2010 17:16:43 -0400

The super-cardioid MD 431 II is a vocal microphone built for live performances. It uses a custom-tailored polar frequency response pattern to achieve added transparency, offering high gain before feedback. The housing consists of a steel-mesh grille to cut pops and wind, a shock-suspended capsule to reduce handling noises, and a hum-bucking coil to help eliminate noise from interference. An additional pop filter allows vocalists to sing directly into the microphone without having to be mindful of their breath. The magnetic reed on/off switch is recessed in the handle, and is built to be noiseless when toggled.

Features

Exceptionally good feedback rejection
Shock mounted capsule
Hum compensating coil
Integral pop filter
On/off switch (reed switch) can be locked in the ‘ON’ position if required
MZA 4031 quick release clamp
Dimensions: d 1.9 x 7.9 in. (49 x 200 mm) d 1.2 in (31 mm)
Pick-up pattern: Super-cardioid
Weight: Approx. 8.8 oz. (250 g)

Shure SM27

Mon, 04 Jan 2010 12:37:05 -0500

The SM27 is a side-address condenser microphone from Shure. The microphone has a uniform cardioid polar pattern to provide high off-axis rejection and making it suitable for either in-studio or on-stage. It offers a wide frequency response of 20 to 20,000 Hz with a flat, neutral response curve for accurate sound reproduction. The SM27 is designed with durable metal components and has a large low-mass Mylar diaphragm for improved transient response. It also includes a 3-position low-frequency filter to reduce background noise and three separate mesh layers to reduce wind and breath noise. The microphone comes with a zipper pouch and stand adapter and has a 2 year limited warranty.

Features/Specs

Uniform cardioid pattern
Low-mass large Mylar® diaphragm
Flat, neutral frequency response
3-position switchable low-frequency filter
Durable metal construction
Three separate mesh layers
15dB pad
Frequency response: 20 to 20,000 Hz
2 year limited warranty

Sennheiser e 845

Wed, 14 Jul 2010 21:55:30 -0400

The Sennheiser e 845 is a microphone built to pick up a single source in a live stage performance. This is similar to the Sennheiser e 840, but a supercardioid pickup pattern is used for a more narrow response range. This means audio from the source is picked up when the microphone is pointed directly at them, and none of the sounds off-axis are picked up. Sound quality while moving is maintained through consistent on/off axis and proximity response. The full frequency response range from 40 Hz to 16 Khz is processed smoothly for improved signal quality. Feedback rejection is built in, and a hum compensating coil accounts for electromagnetic interference.

Features

Supercardioid pickup pattern
Rugged all metal body
Feedback rejection
Full dynamic range and smooth frequency response for excellent signal quality
Consistent on-/off-axis and proximity response
Rejection of handling noise
Hum compensating coil
Microphone clip, Pouch included
Dimensions: d 1.8 x 7.3 in. (46 x 185 mm)
Frequency response: 40 - 16,000 Hz
Weight w/o cable: 11.6 oz. (330 g)

Shure SM58

Sun, 06 Dec 2009 01:51:10 -0500

The Shure SM58 is an industry-leading dynamic cardioid microphone, used mainly for live vocal applications. It excels at capturing great vocals on stage, and can put up with nearly any abuse. It sounds almost exactly like Shure's SM57, although the SM58 features a built-in windscreen and shockmount. This means it can be used in a pinch in any number of additional applications, including guitar amps and percussion.

The standard SM58 uses a standard XLR connection, and features no on/off switch. There also exists a wireless version, and a wired version (SM58S) with an on/off switch. Its affordable price and industry-leading performance and durability make it an ideal purchase.

Sennheiser e 835

Wed, 14 Jul 2010 21:12:24 -0400

The Sennheiser e 835 is a microphone built for stage use. It has a uniform frequency pick-up pattern which keeps the signal quality consistent even if the source moves off center. The microphone uses a cardioid pick-up pattern that isolates the subject from the rest of the on-stage signals while allowing for some flexibility. The shock-mounted capsule protects the microphone in case of drops, and minimizes noise caused by handling. A minimal proximity effect means a consistent performance when singing closer or farther away. A hum compensating coil reduces electrical noises.

Features

Rugged metal body
Excellent feedback rejection
High sound pressure handling capability
Shock-mounted capsule provides excellent suppression of handling noise
Uniform on- and off-axis response
Cardioid pick-up pattern provides isolation from other on-stage signals
Hum compensating coil
Microphone clip, Pouch included
Dimensions: d 1.9 X 7.1 in. (48 x 180 mm)
Frequency response: 40 - 16,000 Hz
Weight w/o cable: 11.6 oz. (330 g)

Shure SM137

Mon, 04 Jan 2010 11:21:15 -0500

The SM137 is a condenser instrument microphone from Shure. The microphone has a permanently biased cardioid condenser cartridge for versatile application. It features an ultra-thin diaphragm to provide a smooth high-end and a tight low-end frequency response of 20 to 20,000 Hz. The SM137 has a 15dB pad to ensure consistent sound when used in either acoustic or high volume performance applications. The microphone has a suggested retail price of $236 and comes with a 2 year limited warranty.

Features/Specs

Ultra-thin diaphragm
15dB pad
Transformerless preamplifier circuitry
Cartridge Type: Permanently Biased Condenser
Frequency Response: 20 to 20,000 Hz
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 dB or 15 dB attenuation
Sensitivity: -41 dBV/Pa
2 year limited warranty

Shure PG42USB

Wed, 07 Jan 2009 20:04:47 -0500

Announced at CES 2009, the PG42USB is a professional quality "plug and play" USB side address condenser microphone from Shure. Featuring a tailored frequency response for vocal work, the PG42USB has a zero zero latency monitoring feature (a 1/8" headphone jack is included) as well as an integrated pre-amp with gain control for full control of the input signal.

Shure PG27USB

Wed, 07 Jan 2009 19:58:19 -0500

Announced at CES 2009, the PG27USB is a professional quality "plug and play" USB side address condenser microphone from Shure. Featuring a flat frequency response, the PG27USB has a zero zero latency monitoring feature (a 1/8" headphone jack is included) as well as an integrated pre-amp with gain control for full control of the input signal.

Sennheiser MKH 50

Wed, 14 Jul 2010 20:21:25 -0400

The Sennheiser MKH 50 is one of four professional-grade, studio-recording microphones (MKH 20, MKH 30, MKH 40, MKH 50). In particular, the MKH 50 is a pressure-gradient mic with a super-cardioid pick-up pattern where it’s more sensitive in the front, but it rejects more sound entering within 150-degrees to the rear. Compared to the cardioid MKH 40, the Sennheiser MKH 50 rejects side reflections better, but not as well from the rear. Featured also is a switchable roll-off filter to compensate for proximity effects at a distance of approximately .5 m.

Features

Professional-Grade Studio Microphone
Pressure-Gradiant Mic
Super-Cardioid Pick-Up Pattern
Ultra-Strong Front Sensitivity
Reduced Side Sensitivity
Minor Rear Sensitivity
High Rejection of Lateral Sounds
Low Inherent Self-Noise
Switchable Roll-Off Fiilter
Switchable Pre-Attenuation
Shock Mount
Windshield

Sennheiser e 815 S

Wed, 14 Jul 2010 20:39:12 -0400

The Sennheiser e 815 S is a general purpose microphone designed club PA systems or instruments. It features a rugged metal body in a shock-mounted capsule that resists drops as well as suppresses from handling. The cardioid pickup pattern reduces interference from ambient sounds and feedback. A hum compensation coil reduces interference from other electrical devices. The on/off switch can be locked in position to prevent accidental switching while in use, and is built to be silent avoiding sending noise through a PA when an announcement is done.

Features

Rugged metal body
Shock-mounted capsule
Warm transparent tonal response
Cardioid pickup pattern
Hum compensation coil
Silent, lockable ON/OFF switch
Microphone clip, pouch included
Connector: XLR-3
Dimensions: d 48 x 180 mm
Weight w/o cable: 330 g

Shure Beta 87C

Fri, 15 Jan 2010 14:08:07 -0500

The Shure Beta 87C is a premium studio grade vocal microphone with extended high-end frequency response in a cardioid condenser design. It adds warmth to the frequency response and creates an ideal environment for in ear personal monitoring. The uniform cardioid polar pattern provides maximum isolation from other sound sources or 'bleed' which makes it ideal for monitoring purposes since it rejects ambient noise arriving at the rear of the microphone. This is an updated version of the supercardioid Beta 87A which has been a very popular mic from Shure for many years. User requests for a similar mic with more ambient noise shielding have resulted in the release of this version, which, although sharing the same frequency response and low frequency roll-off of the 87A, comes with a three-stage pop filter.

Features

Smooth, wide frequency response with slight presence rise
Uniform cardioid polar pattern for maximum isolation
Minimum off-axis tone coloration
Low-frequency roll-off compensates for proximity effect
Three-stage pop filter minimizes breath pop and noise
Break-resistant stand adapter
Frequency response: 50 - 20,000 Hz

Shure Beta 87A

Fri, 15 Jan 2010 13:41:09 -0500

The Shure Beta 87A is a premium quality handheld condenser microphone mainly used for vocals in either broadcasting or studio environments. The supercardioid polar pattern with null points at approximately 125 degrees rejects unwanted sound sources, making it suitable for miking individual instruments in a multi-microphone setting, or, for miking single sources in a loud or reverberant environment. Built-in pop filter protects against wind and breath noise, while the advanced cartridge shock-mount system reduces noise transference through the floor or from handling. It has a frequency response of 50 to 20,000 Hz and also has a low frequency roll-off for getting rid of boomy or boxy or generally unwanted rumble picked up in the recording process. The Beta 87A runs on 11 to 52 Vdc(positive at both pins 2 and 3) phantom power.

Features

Smooth frequency response with gradual presence rise
Highly consistent supercardioid polar pattern provides superior gain-before-feedback
Electronic low-frequency roll-off compensates for proximity effect
Wide dynamic range (117 dB) and low distortion characteristics
Very low susceptibility to RFI and electromagnetic hum
Advanced cartridge shock-mount system absorbs mechanical shocks and reduces handling noise
Built-in pop filter reduces undesirable wind and breath sounds
Legendary Shure quality and reliability

Sennheiser e 825 S

Wed, 14 Jul 2010 20:52:54 -0400

The Sennheiser e 825 S is a general purpose microphone designed for vocal and instrument miking or a club PA. It features a rugged metal body that is designed to suppress noise due to handling, and gives a warm transparent tonal response that is well suited to a variety of acoustic environments. Automatic feedback and spillage rejection accounts for the microphone being in front of speakers or occasional bumps. The on/off switch is silent, enabling users to turn it on or off without sending noise through the speakers.

Features

Rugged metal body
Handling noise suppression
Warm transparent tonal response
Feedback and spillage rejection
Balanced frequency response
Silent ON/OFF switch
Microphone clip, pouch included
Dimensions: d 1.9 in x 7.1 in (48 x 180 mm)
Weight w/o cable: 11.6 oz (330 g)

Sennheiser MD 441

Wed, 14 Jul 2010 17:30:16 -0400

The MD 441 is a versatile dynamic microphone built to achieve an accurate signal creation for a wide variety of purposes. The five-position low frequency contour switch allows for adjustments of how much richness needs to be added to the sound, and a two-position high frequency switch aids when the treble needs a boost. It has a nearly textbook perfect super-cardioid pattern, which helps to ensure that only the microphone's target gets recorded. Spring capsule mounting helps avoid interference from external vibrations and handling noise, and a hum bucking coil prevents electrical interference. A pop filter is built in.

Features

Super-cardioid pattern
Excellent feedback rejection
Excellent sound quality
Spring capsule mounting
Hum compensating coil
Five position bass roll-off switch
Brilliance (treble boost) switch
Integral pop filter
MZQ 441 microphone clamp
Dimensions: 10.6 x 1.3 x 1.4 in. (270 x 33 x 36 mm)
Pick-up pattern: Super-cardioid
Weight: Approx. 15.9 oz. (450 g)

Shure SM81

Mon, 04 Jan 2010 11:33:29 -0500

The SM81 is a condenser instrument microphone from Shure. The microphone has a unidirectional cardioid polar pattern making it suitable for recording studio, broadcasting, and sound reinforcement applications. It offers a wide frequency response of 0 to 20,000 Hz with a flat response curve for accurate sound reproduction. The SM81 also has low noise characteristics and low RF susceptibility, making it recommended for use with acoustic instruments like guitar, piano, or cymbals. It is designed with a rugged steel construction for durability and can perform in a variety of temperature or humidity conditions. The microphone operates on Phantom power and comes with a 2 year limited warranty.

Features/Specs

Flat response curve
Low noise and high output clipping level
Low distortion
Cardioid polar pattern
Low RF susceptibility
Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
0 dB/10 dB lockable attenuator switch
Phantom powering
Rugged steel construction
Frequency Response: 0 to 20,000 Hz
Field-usable over wide range of temperature and humidity conditions
2 year limited warranty

Sennheiser MKH 40

Wed, 14 Jul 2010 20:21:42 -0400

The Sennheiser MKH 40 is one of four professional-grade, studio-recording microphones (MKH 20, MKH 30, MKH 40, MKH 50). In particular, the MKH 40 is a pressure-gradient mic with a cardioid pick-up pattern characterized by a strong sensitivity to audio from the front of the microphone, midrange sensitivity on the sides, and quality rejection of audio emanating from the rear. Versus the super-cardioid MKH 50, the Sennheiser MKH 40 rejects room reflections very well, but still allows a lot of audio in from the sides. Featured also is a switchable roll-off filter to compensate for proximity effects at a distance of approximately .5 m.

Features

Professional-Grade Studio Microphone
Pressure-Gradiant Mic
Cardioid Pick-Up Pattern
Strong Front Sensitivity
Midrange Side Sensitivity
Zero Rear Sensitivity
Maximum Front to Back Ratio
Low Inherent Self-Noise
Switchable Roll-Off Fiilter
Switchable Pre-Attenuation
Shock Mount
Windshield

Sennheiser MKH 800 TWIN

Wed, 14 Jul 2010 19:32:43 -0400

The Sennheiser MKH 800 TWIN is built to be a universal microphone for studio work. Frequency response begins at 30 Hz and ranges up to 50,000 Hz, making the microphone useful for almost any instrument and for vocal work. It uses a dual capsule of two symmetrical push-pull transducers with high linearity, which means minimal signal distortions and a strong signal. The transducers each send a separate signal, allowing the individual pick-up patterns to be adjusted and mixed together individually. This design creates two cardioid pick-up patterns, which can be selected remotely for various effects. While the microphone is highly sensitive, SPLs of up to 134 dB are possible. The strong signal created resists interference, reducing the need for additional filters.

Features

Color: Nextel grey
Remote adjustability
Variable pick-up patterns
Pick-up patterns can be set on the fly
A wide range of mixes for stereo and surround are possible (including in parallel)
High sensitivity
Linear transducers minimize signal distortions
Frequency response (microphone): 30 - 50,000 Hz
Max. sound pressure level (passive): 134 dB
Stable pick-up patterns minimise sound distortion in the direct and diffuse field
Small, slim design
MKH 800 TWIN studio condenser microphone, MZQ 80 microphone clamp, MZS 80 shock mount, AC 20 adapter cable (1 x XLR-5 socket to 2 x XLR-3 connector), User manual, Aluminum transport case included

Sennheiser e 945

Wed, 14 Jul 2010 19:23:38 -0400

The Sennheiser e 945 is a professional-grade, super-cardioid vocal stage microphone engineered to perform well under pressure, while still delivering high-quality output. It builds from the e 945 by incorporating a super-cardioid design wherein there is a reduction in directional reception, but the rear lobe of sensitivity is greatly reduced. Basically, it’s much more sensitive in the front, but it rejects more sound entering within 150-degrees to the rear. The tighter pickup pattern results in reduced bleeding from nearby sound sources. Like its predecessor, the Sennheiser e 945 utilizes a rugged & reliable metal construction, a shock-mounted capsule for low-sensitivity to impact/handling noise, and a Neodymium ferrous magnet with boron—that keeps the unit stable regardless of climate.

Features

Metal Construction
Shock-Mounted Capsule
Super-Cardioid Pickup Pattern
Increased Front Sensitivity
Reduced Rear Sensitivity
Insulation from other Signals
Hum Compensating Coil
Reduced Electrical Interference
Neodymium Ferrous Magnet w/Boron
Falcon Ring (Consist Sound)
Protective Pouch
Microphone Clip

Specifications

Frequency: 40-18,000Hz
Terminating Impedance: 1000Ohms
Impedance: 350Ohms
Pick-Up Pattern: Super-Cardioid

Sennheiser e 838

Wed, 14 Jul 2010 21:24:35 -0400

The Sennheiser e 838 is a vocal microphone designed to filter out ambient on-stage audio. The rugged metal body is designed in such a way that handling noise does not get picked up, and the shock-mounted capsule absorbs accidental impacts. The cardioid pickup pattern focuses on the subject, and active suppression of sounds outside of that pickup angle keep the signal clear. Feedback rejection is built in, and a humbucking coil cuts electrical interference. The frequency response of 40 Hz to 17,000 Hz supports the vocal range well, and is also appropriate for acoustic guitars and a number of other instruments.

Features

Rugged metal body
Shock-mounted capsule
Frequency-independent directivity
Feedback rejection
Vocal projection
Humbucking coil
Includes microphone clamp and heavy duty pouch
Connector: XLR-3
Dimensions: 1.85 x 7.13 in. (47 x 181 mm)
Frequency response: 40 - 17,000 Hz
Weight: 11.64 oz (330 g)

Sennheiser MKH 30

Wed, 14 Jul 2010 20:21:36 -0400

The Sennheiser MKH 30 is one of four professional-grade, studio-recording microphones (MKH 20, MKH 30, MKH 40, MKH 50). In particular, the MKH 30 trades in the MKH 20’s omnidirectional reception for a bi-directional, figure-8 pickup pattern that allows it to pick up sound from both sides of the diaphragm (front/rear), while rejecting sound from the sides. This makes it useful for stereo configurations for live recordings of acoustic/jazz groups, but not useful for harsh, high-SPL environments. In fact, the Sennheiser MKH 30 is recommended primarily for “mid-side” recording setups.

Features

Professional-Grade Studio Microphone
Bidirectional Condenser
Figure-Eight Pattern
Front/Rear Sound Capture
Recommended for Mid-Side Setups
Side Audio Block
Symmetrical/Frequency-Independent
Wide, Flat Frequency Response
Low Inherent Self-Noise
Switchable Roll-Off Filter
Switchable Pre-Attenuation
Shock Mount
Windshield

Sennheiser MKH 20

Wed, 14 Jul 2010 19:58:07 -0400

The Sennheiser MKH 20 is one of four professional-grade, studio-recording microphones (MKH 20, MKH 30, MKH 40, MKH 50). They’re all built differently, yet are all equal in functionality. The differences merely define how (as in for what circumstance / situation) the microphone should be used. In particular, the MKH 20 is an omni-directional condenser microphone, in that it can detect sound equally from all directions without any proximity effects. And since it doesn’t utilize any resonant cavities as delays, it delivers more pure-quality audio (especially when compared to cardioid/super-cardioid) in that they add very little to the original sound. Regardless, the Sennheiser MKH 20 is geared for recording situations in which an open, natural sound is required.

Features

Professional-Grade Studio Microphone
Omndirectional Condenser
360-Degree Sound Reception
Open and Natural
Zero Resonant Cavities
Purity / No Filters
Low Inherent Self-Noise
Flat Frequency Response
High Sensitivity
Switchable Pre-Attenuation
Shock Mount
Windshield
Pressure Build-Up Ring

Shure SM94

Mon, 04 Jan 2010 11:43:47 -0500

The SM94 is a condenser instrument microphone from Shure. The microphone has a unidirectional electret condenser and cardioid polar pattern making it suitable for live performance and sound recording applications. It offers a wide frequency response of 40 to 16,000 Hz with a flat response curve for accurate sound reproduction. The SM94 has a wide dynamic range and lacks low-frequency rolloff, making it recommended for use with stringed instruments, woodwinds, or cymbals. It also includes an internal shock mount and comes with an optional wind-screen for transmitting voice. The microphone can operate on either AA batteries or Phantom power and comes with a 2 year limited warranty.

Features/Specs

Wide, flat response
Recommended for reproduction of stringed instruments, woodwinds and cymbals
AA battery or phantom power
Internal shock mount
Wide dynamic range
Smooth, flat frequency response
Uniform Cardioid condenser
Frequency response: 40 to 16,000 Hz
2 year limited warranty

Sennheiser e 865

Wed, 14 Jul 2010 22:08:31 -0400

The Sennheiser e 865 is a condenser microphone built for use in a live performance. The frequency response range of 40 to 20,000 Hz is smoothly reproduced throughout allowing for rich vocal signals, and the super-cardioid pickup pattern cuts through other on-stage levels to focus solely on the subject it is pointed at. A steel inlet basket cuts pops and breathing sounds. The all-metal housing reduces handling noise to a minimum, and aids durability to such an extent that a 10 year manufacturer's warranty is included. Even high levels of sound up to a 150 dB SPL can be processed.

Features

Steel inlet basket
Superb transient response
Handles high levels of sound
Rugged, robust all-metal housing
10 years warranty
Pouch, Microphone clip included
Dimensions: d 1.9 x 7.6 in. (47 x 193 mm)
Frequency response (microphone): 40 - 20,000 Hz
Max. sound pressure level (active): 150 dB
Pick-up pattern: Super-cardioid
Weight w/o cable: 11 oz (311 g)

Sennheiser MKH 8050

Wed, 14 Jul 2010 20:19:43 -0400

The Sennheiser MKH 8050 is a microphone designed with soloists in mind. While it is very similar in design to the cardioid Sennheiser MKH 8040, this uses a super-cardioid pick-up pattern to focus narrowly on the subject and gives higher attenuation of sounds from off to the side. This makes it appropriate for recording an individual instrument, even when it is playing with others. Like the MKH 8040, the symmetrical transducer uses 2 backplates for the lowest possible distortion to the signal. Frequency response ranges from 30 Hz to 50 Khz, and a maximum sound pressure level of 142 dB allows for powerful sound sources. The high SPL combined with low distortion also make this microphone appropriate for close-up recording of a single subject.

Features

super-cardioid pick-up pattern
modular design
symmetrical transducer with 2 backplates providing extremely low distortion
extremely low inherent self-noise
accurate directional pattern
non reflective Nextel coating
provides optimum separation of instruments
Frequency response: 30 - 50000 Hz
Maximum sound pressure level (passiv): 142 dB SPL
Dimensions: diameter: 19 mm, length 74 mm (41 mm excluding XLR module)
Weight: 55 g (25 g excluding XLR module)
XLR module, Microphone clip, Windshield, User manual, Aluminium transport caser

Blue Microphones Snowflake

Thu, 18 Feb 2010 21:14:01 -0500

The Blue Microphones Snowflake is a USB microphone designed to “sound like a million bucks.” Truthfully, the Snowflake is quite inferior to the Snowball in many ways—lack of omnidirectional recording being one of them—but the Snowflake features a much more portable design. It can either rest on a tabletop or loosely hang over a laptop screen. Plus, its microphone capsule swivels 360 degrees on its base, and can be collapsed into a portable 3x2” block. As for its capabilities, the Snowflake is fixed in a mono-cardioid recording pattern best suited for audio sources placed no farther than an arm’s length away.

Features

Monophonic USB Microphone
Portable Design
Swiveling Capsule
Mono-Cardiod Recording

Specifications

Transducer Type: Condenser, Pressure Gradient w/USB Digital Output
Polar Patterns: Cardioid
Frequency Response: 35-20kHz

Sennheiser e 914

Wed, 14 Jul 2010 18:00:50 -0400

The Sennheiser e 914 is a condenser microphone for applications that demand clarity at higher decibel levels. A built-in sensitivity switch can be quickly adjusted between three positions between setups, and a bass roll-off switch also allows for focus on the treble range. The maximum sound pressure level can be switched from 137, 147 and 157 dB, enabling the recording of a variety of instruments from acoustic guitars to percussion to full orchestras. The capsule is exchangeable for future applications as well. A microphone clamp comes included, and a windscreen is included in case of outdoor performances.

Features

Exceptionally lively, clear sound
Three-position sensitivity switch
Three-position bass roll-off/cut-off switch
Very high sound pressure handling capability
Exchangeable capsule
Dimensions: 0.9 x 6.2 in. (24 x 157 mm)
Max. Sound pressure level (active): 137, 147, 157 dB
Frequency response: 20 - 20,000 Hz
Pick-up pattern: Cardioid
Weight: 7 oz. (198 g.)
Microphone clamp, Windscreen, Pouch included

Shure SM87A

Mon, 04 Jan 2010 20:57:22 -0500

The SM87A is a professional-grade condenser microphone from Shure that is designed for vocal applications. The microphone has a supercardioid pickup pattern which isolates the source and rejects unwanted noises. It offers a frequency response of 50 to 20,000 Hz with low-end rolloff, making it recommended for sound reinforcement, studio recording, and broadcasting. The SM87A includes a built-in three-stage wind and pop filter and a shock mount that reduces breath, wind, and handling noise. It is also field-usable in a variety of temperature and humidity conditions. The microphone is phantom powered and comes with a 2 year limited warranty.

Features/Specs

Supercardioid pickup pattern
Low-frequency roll-off
Very low RF and magnetic hum susceptibility
Built-in wind and pop filter
Transducer element shock mounted
Rugged construction
Field-usable over a wide range of temperature and humidity conditions
Phantom Powered
Frequency Response: 50 to 20,000 Hz
2 year limited warranty

Sennheiser MKH 8040

Wed, 14 Jul 2010 20:01:35 -0400

The Sennheiser MKH 8040 is a microphone suitable for a number of applications, including on-location recording outside of a formal studio. The cardioid pick-up pattern reduces pick-up of a reverberant room, cutting ambient noises and focusing on the subject. A symmetrical transducer is used with 2 backplates to reduce the distortion to a minimum, and the design of the microphone has low inherent self-noise. High sound pressure levels of up to 142 dB are possible, enabling it to be used as a spot microphone mounted close to a specific subject. An XLR module can be added or removed as needed, as well as a windshield for outdoor recordings.

Features

cardioid pick-up pattern
modular design
wide frequency response 30 to 50.000 Hz
symmetrical transducer with 2 backplates providing extremely low distortion
extremely low inherent self-noise
accurate directional pattern
non reflective Nextel coating
ideal as a spot microphone and for surround recordings
Maximum sound pressure level (passiv): 142 dB SPL
Dimensions: diameter 19 mm, lenght 74 mm (41 mm excluding XLR module)
Weight: 55 g (25 g excluding XLR module)
XLR module, Microphone clip, Windshield, User manual, Aluminium transport case

Sennheiser MKH 8020

Wed, 14 Jul 2010 19:48:49 -0400

The Sennheiser MKH 8020 is a studio recording microphone built for both large and small sound sources. The deep 10 Hz frequency response makes it a good choice for recording pipe organs, grand piano, or acoustic double-bass. This microphone uses an omni-directional pick-up pattern allowing for the use of ambient studio sounds in the mix. The symmetrical transducer has 2 backplates, providing extremely low distortion and allowing for up-close recordings from smaller sound sources. A number of accessories are shipped with the microphone, including an XLR module for XLR-3M balanced output. A windshield is also included for use in outdoor recording of ambient sound sources.

Features

Onmi-directional pick-up pattern
Modular design
Wide frequency response 10 to 60,000 Hz
Symmetrical transducer with 2 backplates providing extremly low distortion
Extremely low inherent self-noise
Accurate directional pattern
Non reflective Nextel coating
Ideal for stereo and surround recordings, as an M microphone and for ambience
Also available in stereo pairs
Audio output: XLR-3M balanced, transformerless, floating
Dimensions: 19 mm diameter, length 41 mm (74 mm including XLR-Module)
Max. sound pressure level (passive): 138 dB SPL
Weight: 0.9 oz (25 g) (1.9 oz., or 55 g, including XLR module)
XLR module, Microphone clip, Windshield, User manual, Aluminium transport case included

Sennheiser MD 46

Wed, 14 Jul 2010 17:44:23 -0400

The Sennheiser MD 46 microphone is designed for interviews in variable environments. The cardiod dynamic capsule focuses on the subject, eliminating much of the background noise and improving clarity. The double layer grille basket reduces wind noise and vocal pops, and the handle design keeps handling noise to a minimum. The longer handle is built to have good balance, and make it easier to hold while moving it from one subject to another without needing to shift one's grip.

Features

Double layer grille basket
Cardioid dynamic capsule
Low handling noise
Long handle with excellent balance
Dimensions: 1.9 x 9.8 in (49 x 250 mm)
Frequency response: 40 - 18,000 Hz
Weight: 12.7 oz. (360 g)

Sennheiser MD 42

Wed, 14 Jul 2010 16:48:08 -0400

The MD 42 is a microphone built for recording interviews in various live environments. It has an omni-directional pick-up pattern, allowing it to pick up the voices of people being spoken with even if it isn't pointed straight at them. The ply sound inlet basket is built to protect from wind and pop noises, increasing the quality of the recording. The mount capsule is designed to ensure low sensitivity to handling noise, and the metal housing protects the microphone in case of impact.

Features

Omni-directional pick-up pattern
Ply sound inlet basket
Metal housing
Mount capsule
Black / Refined Steel
Dimensions: 1.9 x 9.8 in. (49 x 250 mm)
Frequency response: 40 ... 18,000 Hz
Weight: 12.7 oz. (360 g)

Sennheiser e 614

Wed, 14 Jul 2010 19:12:46 -0400

The e 614 is a super-cardioid condenser microphone designed for a wide variety of instrument applications. Response through the entire 40 Hz to 20 Khz range is relatively even, allowing for a mixture of high frequency hits with low frequency resonations without any compromises to quality. A super-cardioid pattern means focus on the subject without background noise interference. The small size of the microphone allows it to fit into tight areas, making it suitable for percussion setups and other situations where space is at a premium. While the maximum sound pressure level is 139 db/SPL, lower decibel sounds are picked up effectively as well. A pouch and a microphone clip are included.

Features

Nearly flat response from 40-20,000 Hz
Super-cardioid pattern
Rugged design
Full, natural sound
139 db/SPL maximum sound pressure level
Effective rejection of incidental rear noise
Dimensions: ø 0.8 in., L = 3.9 in.
Weight w/o cable: 3.3 oz. (93 g)
Microphone pouch, Microphone clip MZQ 100 included

Sennheiser MD 421-II

Wed, 14 Jul 2010 17:01:57 -0400

The MD 421 II is a studio and broadcast microphone, and is built as an extension of the original MD 421 line. The large diaphragm is able to handle high sound pressure levels, allowing it to properly pick up guitars and drums. The cardioid pattern and five-position bass control allow flexibility in recording settings, making it suitable for a variety of instruments, group vocals, or radio broadcast announcers. Feedback rejection is automatic, although with the pronounced directivity of the microphone this isn't a common issue.

Features

Large diaphragm
Five position bass roll-off switch
Effective feedback rejection
Clear sound reproduction
Easy handling due to pronounced directivity
Microphone clamp for 3/8 in thread included
Dimensions: 8.5 x 1.8 x 1.9 in. (215 x 46 x 49 mm)
Frequency response (microphone): 30 - 17,000 Hz
Pick-up pattern: Cardioid
Weight: approx. 13.6 oz. (385 g)

Blue Microphones Snowball

Thu, 18 Feb 2010 19:55:09 -0500

The Blue Microphones Snowball is a plug-and-play, monophonic USB microphone designed for recording single audio sources such as a voice or instrument. It features the shape of a snowball and includes a threaded metal hole for attaching to an included, adjustable tripod base. Included on the back is a metal-reinforced USB port and a three-position switch for the mic’s three recording modes: cardoid, cardoid –10dB, and omni. It’s advertised as being great for podcasting, but critics point out that it’s “not a podcast studio in a box.” Additional professional recording equipment (mixing, audio compression, EQ) is still required for a high-quality broadcast.

Additional Information

The Snowball also hosts dual microphone capsules, one of which is dedicated to monophonic recording, while the other is geared for an omnidirectional cardioid recording pattern.

Features

Monophonic USB Microphone
USB Plug-n-Play (PC/Mac)
Adjustable Tripod Base
Three Recording Modes
Dual Microphone Capsules

Specifications

Transducer Type: Condenser, Pressure Gradient w/USB Digital Output
Polar Patterns: Omnidirectional or Cardioid
Frequency Response: 40-18kHz

Color Options

Blue Microphones Snowball Standard | White
Blue Microphones Snowball-GB | Black
Blue Microphones Snowball-BA | Brushed Aluminum

Shure SM48

Mon, 04 Jan 2010 20:30:33 -0500

The SM48 is a unidirectional dynamic microphone from Shure that is designed for vocal applications. The microphone has a cardioid pickup pattern to reject off-axis sound and provide improved gain before feedback. It offers a frequency response of 55 to 14,000 with a brightened midrange that is recommended for lead vocals, backup vocals, and spoken voice. The SM48 is designed with a steel mesh grille and a shock-mounted cartridge for ruggedness and durability. It also includes a built-in "pop" filter that reduces breath and wind noise. The microphone comes with a stand adapter and storage bag and has a 2 year limited warranty.

Features/Specs

Cardioid pickup pattern
Shock-mounted cartridge
Built-in "pop" filter
Lockable On/Off switch
Steel Mesh Grille
Frequency Response: 55 to 14,000 Hz
Comes with stand adapter and carrying/storage bag
2 year limited warranty

Shure Beta 58A

Mon, 04 Jan 2010 13:17:01 -0500

The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. This model is an update to the incredibly popular SM58 series and was released along with the Beta 57A back in the mid 90's. Although the Beta's actually first came out in 1989, improvements were made soon after which resulted in the 'A' being added to the name. Unlike the Beta 57A which is an instrument mic with occasional vocal duties, this is predominantly a vocal mic, with a shaped frequency response that is ideal for close-up vocals. There is also a brightened midrange and bass rolloff to control proximity effect. An advanced pneumatic shock mount system is also included for securely mounting the mic and protecting against sibilant noise and floor vibration.

Features

Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
Neodymium magnet for high signal–to–noise output
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Minimally effected by varying load impedance
Legendary Shure quality and reliability